Saturday, March 10, 2018

Tuxedomoon Live at the Deaf Club, October 1979 Now Available

Now available for download, this stunning collection of Tuxedomoon live from the charged atmosphere of the late 1970's San Francisco scene, at the very epicenter, The Deaf Club. Features several previously unknown and unreleased tracks as well as early versions of well-known classics. There is a bonus pdf booklet featuring posters and photos from the time.

Sunday, February 25, 2018

Steven Brown's Cinema Domingo Orchestra Kickstarter Campaign

CINEMA SUNDAY ORCHESTRA. New directions in music for silent films.

Pioneers in audio explorations with more than 20 years of work in resignifying classic films from the last century through live sound, Cinema Sunday Orchestra under the direction of renowned musician/composer Steven Brown has performed in Film Festivals and special events through-out Mexico.

On two different occasions, Cinema Domingo Orchestra has been commissioned by the Goethe Institute of Mexico to compose and perform original music for german silent films. In 2012 for the national premiere of the recently restored ALGOL The Tragedy of Power (1920) by Hans Werckmeister, and in 2016 for the newly restored DESTINY by Fritz Lang (1921).

Former director of the Institute Reinhard Maiworm has stated; “If anyone in Mexico is perfect for putting music to silent film, that would be Cinema Domingo Orchestra.”

Over 15 years Cinema Sunday Orchestra has positioned itself to be the most innovative and unique producer of audio accompaniment to silent (and sound) films, providing cinefiles and the public in general with a unique experience that inevitably leads to new interpretations and new ways of appreciating the seventh art.

This project began in Bruxelles Belgium at the end of the 80s when Steven Brown (founder of musical groups Tuxedomoon, Nine Rain and Kafka Ensamble) began to intervene in public forums projecting 16mm silent films. At the beginning of the new millennium Brown moves to Oaxaca Mexico where he renews the project, now with local musicians with whom together will compose and perform new musical accompaniments to silent films.

The Cinema Sunday Orchestra is: Steven Brown, clarinet, saxophone, piano and keyboards; Bruno Varela, Bass Guitar and curator; Julio García, Guitar, Jarana and Oud; Oxama, Percussion and electronics.

Sunday, February 18, 2018

Tuxedomoon Archive Goes Live!

Announcing the new Tuxedomoon archive page. We will begin posting live shows from Peter P's massive archive for your listening pleasure. Go check out our initial offering!

Tuxedomoon Archives

Tuxedomoon provide a selection of their private and live recordings, footnotes in the band's history and legacy. Some were previously shared by/with Peter Principle in online trading circles; others have never been heard before. These recordings are selected according to sound quality and/or historical relevance.

Tuxedomoon provide a selection of their private and live recordings, footnotes in the band's history and legacy. Some were previously shared by/with Peter Principle in online trading circles; others have never been heard before. These recordings are selected according to sound quality and/or historical relevance.

Thursday, February 15, 2018

Blue Sleep First Review

Here is the first review for BLR's new album "The Blue Sleep"

BLAINE L REININGER The Blue Sleep - The Electricity Club

As a cardinal of the European avant-garde and co-founder of TUXEDOMOON, Blaine L Reininger is both schooled and shrouded in mystery. He currently lives in Greece - ground zero for the continent's myths and a portal for all things Oriental. The influence can be seen on his new solo album 'The Blue Sleep'.

Wednesday, January 24, 2018

Blaine L. Reininger New Album, The Blue Sleep

From March 28, 2018, Les Disques du Crepuscule will release a new studio album from Blaine Reininger called "The Blue Sleep".

The Blue Sleep [TWI 1237 CD] | Blaine L. Reininger | Crépuscule

The Blue Sleep is a 2018 album by Blaine L. Reininger of Tuxedomoon

The Blue Sleep is a brand new studio album by Blaine L. Reininger, the Colorado-born composer and founder member of avant-garde music group Tuxedomoon.

Written and recorded by Blaine in 2017, the album was mixed in his adopted hometown of Athens by noted electronic music producer Coti K. Like most of his previous solo projects, The Blue Sleep combines vocal songs with atmospheric instrumental tracks, three of which (Lost Ballroom, Jacob's Ladder and Odi et Amo) were written for Caligula, a theatre production.

"These days the music plays me," explains Blaine. "The unifying principle behind the songs on Blue Sleep is the method of composition. I apply fine old aleatory techniques - John Cage, William Burroughs, Tristan Tzara - and filter these through my instinctive knowledge of melody and harmony. Lyrics are generated algorithmically (I work with programs which assemble phrases according to mathematical rules) and then edited by me, with phrases suggested by the random output. That's pretty much my modus operandi in the 21st century."

10 track CD. Cover image by George Terzis.


1. Public Transformation
2. The Blue Sleep
3. Lost Ballroom
4. We're Tearing Out
5. Dry Food
6. Camminando Qui
7. Jacob's Ladder
8. The Dull Sea
9. Molecular Landscape
10. Odi et Amo

Available on CD and digital download. Mailorder copies are delivered in Crépuscule slipcase. To order CD please select correct shipping option and click on Add To Cart button below cover image, or else contact LDDC by email for other payment options. FOR RELEASE IN MARCH 2018.

Friday, August 11, 2017

New York City Peter Principle Memorial

There will be a memorial service for Peter at 23 windows in New York on August 19. Details in the post.

Thursday, July 27, 2017

Livestream Video From Peter's Memorial 25/7/2017

Here is a video derived from the livestream from Les Ateliers Claus, Brussels of Peter's Memorial Gathering, July 25, 2017.

Gate, gate, paragate, parasamgate. Bodhi. Svaha!

Wednesday, July 19, 2017

Tuxedomoon Dates Cancelled

It is with deepest regret and sorrow that Tuxedomoon must cancel all of the shows that had been booked for July and August 2017, due to the sudden death of our beloved brother and bandmate, Peter Principle Dachert. Watch this space for further news.

Monday, July 17, 2017

A Eulogy for Peter from Neil Martinson

I was deeply saddened to hear that a dear friend of mine named Peter Principle (née Dachert) passed away today. Peter was a truly remarkable person, a brilliant musician, and an inspiring intelligence.
Ever since my teens, I had seen him play bass in the amazing band Tuxedomoon, and admired his unique style. I was also quite enamored of his solo albums "Sedimental Journey" and "Tone Poems" – both beautiful examples of 1980s style magnetic-tape music. Over the years I met a few of the other guys in the band (StevenBlaineMichael, Winston Tong, the recently departed Bruce Geduldig), and when I asked my good pal, the graphic designer Patrick Roques about him, he described Peter as "a walking Amok Press catalog"…
In 1990, I arranged to meet Peter for an interview which ended up being published in the first issue of my magazine Proof. We hit it off right away, and as it turned out, this first meeting would dramatically change the course of my life forever. Aside from being generally impressed with this tall, dignified, stentorian and highly articulate entity, during the course of this first conversation I was introduced to numerous things that would deeply influence my thinking, including Anthroposophy and a particularly profound Alchemical/Rosicrucian worldview. Those who know me well understand how significant all this is for me. Well, it was largely Peter's influence that set me on that path!
Over the years, we became pretty close and spent a lot of time together. He did the final mix of some recordings by my band Mercurians (some of which were released on a 45), and I was instrumental in arranging Tuxedomoon's last US appearance over a decade ago. In addition to being a warm and generous friend, he continued to introduce me to tons of amazing music, film, and esoteric knowledge; to say he was an influence seems a dramatic understatement. Getting to know Peter was absolutely revolutionary for my mind, and I was always proud and excited to introduce him to various friends of mine. Pretty much anyone who met him was equally astounded and transformed by him.
It must be noted that he had quite a temper and would occasionally explode about something seemingly small, like a book borrowed and not returned in a timely manner. Once during a heated phone call I told him to "stop yelling at me" and he immediately softened, gently explaining "well, if I don't yell it seems like nobody ever listens." He occasionally complained of people treating him poorly, condescending to him, insulting him and downright ripping him off. He was not shy about naming names, and many of his alleged detractors were people well-established in the avant garde music world. I sometimes wonder if he didn't imagine some of these slights, though I really have no way of knowing. Mostly, I found it hard to imagine anyone not liking him! It definitely conveyed a certain sense of loneliness and shyness, which I don't think most people who met him were aware of, as well as a generally well concealed class-conscious insecurity. He described his upbringing to me as quite rough and tumble and would joke about being "just a yobbo from Queens," although I gather his household prided itself as "enlightened proletariat." I suspect his bold demeanor and choleric temperament may have been offputting to some. In many ways he was a classic Sagittarian and definitely rode a pretty high horse! In any case, I felt honored that he was comfortable enough around me to reveal this vulnerable side of his complex personality.
The last time I saw him, he stormed up to me and griped about being "almost dead!" It was indeed quite offputting, but I do believe he was having a hard time financially and emotionally during his last few years in New York City. He had a wonderful girlfriend at the time and I gather they moved off to Kentucky or Tennessee or somewhere flabbergasting like that for several years … His landline was disconnected and we lost touch, and I regret not making more effort to reach out to him during these last few years. I had been hoping to arrange for Tuxedomoon to come back and play the United States again, and I just figured we'd be reunited some sunny day and pick up where we left off with some more wonderful conversations. Now it looks like I'll have to wait until some future incarnation!
Blessings on all your future endeavors, friend of ages.

Neil Martinson